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C4I

Ryoji Ikeda

The world reduced to data
The "aesthetic of data" and how it shakes up human perception

Ryoji Ikeda has gathered worldwide attention with his elaborately composed musical compositions of sine wave, pulse and other minimal components of "sound". In this performance on the theme of "data" forming our perception of the world, Ikeda presented a concert piece utilizing a wide variety of data derived from the realms of mathematics, economics, biology and nature.
The title "C4I" is basically the name of a communication/information processing system for command and control in military operations. In addition to this meaning, here it integrates keywords expressing the various aspects of data. Through this work, made up of sounds and visuals pushing the limits of perceptibility in terms of resolution and speed, Ikeda connected his audience directly to the world, and highlighted the ubiquitous presence of data while exhibiting their multifaceted nature.
Date
February 13 - 14, 2004
Place
Studio A

Works

C4I (Commissioned by YCAM / World Premiere)

Ryoji Ikeda

Sceneries of a new world formed by images and sounds

»

C4I (Commissioned by YCAM / World Premiere)

Ryoji Ikeda

Sceneries of a new world formed by images and sounds

This work themed around and incorporating data in vast amounts and huge varieties combines aspects of a concert piece and movie.
Appearing one after another on a large screen on the stage are images of exquisite natural landscapes transforming into an abstract language (data), as well as graphics, series of numbers, and quotes from various text sources with a strikingly realistic impact. The visuals are perfectly synchronized with accompanying sounds, to present the spectator with an overwhelming view blending elements of nature, science and philosophy.
Tour Information
  • November 30, 2007 Venue: Le Petit Faucheux (France)

  • October 10, 2007 MUTEK Festival Mexico 2007
    Venue: Teatro Fru Fru (Mexico)

  • October 5, 2007 Venue: Irish Museum of Modern Art (Ireland)

  • September 19, 2007 Art Beijing 2007
    Venue: National Agricultural Exhibition Centre, New Hall (China)

  • September 15, 2007 Venue: Esplanade Theatre Studio (Singapore)

  • April 26 - 28, 2007 Venue: Teatro Out Off (Italy)

  • March 29, 2007 Time Warp 2007
    Venue: Kunsthalle Mannheim (German)

  • October 13, 2006 Venue: Arnolfini (UK)

  • August 7, 2006 Zero One San Jose
    Venue: California Theater (USA)

  • June 7, 2006 Venue: Tokyo International Forum Hall C (Tokyo)

  • April 15, 2006 Venue: Casa da Musica (Portugal)

  • March 24, 2006 Maerz Musik
    Venue: Haus der Berliner Festspiele (German)

  • March 20, 2006 Venue: Barbican Centre Concert Hall (UK)

  • March 3, 2006 AV Festival 2006
    Venue: The Sage Gateshead (UK)

  • February 19, 2006 Venue: Teatro Canovas (Spain)

  • October 15, 2005 Venue: Klangraum Krems Minoritenkirche (Austria)

  • October 10 - 11, 2005 Melbourne International Arts Festival
    Venue: Arts Centre Melbourne, Playhouse (Australia)

  • May 20, 2005 Venue: Palazzo dei Congressi (Italy)

  • May 12, 2005 Elektra Festival 2005
    Venue: Usine C (Canada)

  • April 23, 2005 Venue: Contemporary Arts Centre (Lithuania)

  • February 16, 2005 Venue: Stuk (Belgium)

  • November 20, 2004 Venue: Eyebeam (USA)

  • November 5, 2004 Venue: Teatro Cavallerizza (Italy)

  • October 31, 2004 Venue: Theatre Kikker (Netherlands)

  • October 28, 2004 Venue: Pompidou Centre (France)

Credit
Computer graphics: Shohei Matsukawa, Daisuke Tsunoda

formula [ver. 2.2] (Revised version)

Ryoji Ikeda

»

formula [ver. 2.2] (Revised version)

Ryoji Ikeda

This is the newest version of "formula", a piece that has been touring around the world since it was first unveiled in 2000.
Sine wave, pulse, white noise and other sounds that Ikeda has been making maximum use of in his unique approach, are elaborately integrated with images mixing abstract graphics and large amounts of live-action sequences running at high speed, to take the audience on a journey to a totally new domain of perceptual experience.
Credit
computer graphics: Shohei Matsukawa
lighting and stage design: Takayuki Fujimoto

formula [prototype]
video materials and editing: Shiro Takatani
computer graphics: Hiromasa Tomari

Corporate sponsor: The Arts Council of England
Cooperation: Van Baasbank & Baggerman, La Batie, Elektra 2000, Ars Electronica, Pompidou Centre, La Villette, La Ferme du Buisson, Instal, Novart, Romaeurope, Kushiro Art Museum Hokkaido, Hiroshima City Museum of Contemporary Art, Headz
Produced by: Forma

Profiles

Credit

Organized by:

  • Yamaguchi City Foundation for Cultural Promotion

In association with:

  • Yamaguchi City, Yamaguchi City Board of Education

Technical support:

  • YCAM InterLab

Produced by:

  • Yamaguchi Center for Arts and Media [YCAM]
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